2012
Data Deluge, curated by Rachel Gugelberger and Reynard Loki, Ballroom Marfa, Marfa, TX
2011
The Bank and Trust Show, curated by Dara Meyers-Kingsley, ArtsExchange Gallery, White Plains, NY
I Like the Art World and the Art World Likes Me, curated by Eric Doeringer, EFA Project Space, New York, NY
2010
#Rank, organized in collaboration with William Powhida, Seven Miami, Miami, FL
The Social Graph, curated by Hrag Vartanian, Outpost, Ridgewood, NY
The Chinese Encyclopedia, curated by Susan Thompson, Cuchifritos, New York, NY
No Customs, curated by Jennifer and Kevin McCoy, Sama Tower, Suite 3708, Abu Dhabi, UAE (exhibited collaborative work with Susan Hamburger)
Trashed, curated by Craig Platt, 2255 India Avenue, Los Angeles, CA
Escape From New York, curated by Olympia Lambert, 24 Van Houten St., Paterson, NJ
#Class, organized in collaboration with William Powhida, Winkleman Gallery, NYC
A Torrent of Words, John Michael Kohler Art Center, Sheboygan, WI
2009
Reaccession: For Sale by Owner, curated by Philae Knight and Amanda Steck, Flag Art Foundation, NYC
Levity, curated by Cristin Tierney and Heather Dell, Hendershot Gallery, NYC
Notes to Self, Schroeder Romero Gallery, NYC
Contemporary Art and Portraiture, Cristin Tierney Fine Art, NYC
2008
Wall Rockets: Contemporary Artists and Ed Ruscha, curated by Lisa Dennison, Flag Art Foundation, NYC
Attention to Detail, curated by Chuck Close, Flag Art Foundation, NYC
Made in America, curated by Janet Phelps, Peel Gallery, Houston, TX
Air Kissing: An Exhibition of Contemporary Art About the Art World, curated by Sasha Archibald, Arcadia University Art Gallery, Glenside, PA
The Cult of Personality: Portraits of Mass Culture, Carriage Trade, NYC
Caucus, organized by Michael Waugh, Schroeder Romero, NYC
2007
Ceci n'est Pas... (This is Not...), curated by Rachel Gugelberger and Jeffrey Walkowiak, Sara Meltzer Gallery, NYC
2006
Weak Foundations, curated by Michael Ashkin and Eric Heist, Momenta Art, Brooklyn, NY
Personal Geographies, curated by Joanna Lindenbaum, Hunter College Times Square Gallery, NYC
2005
Superstars: The Celebrity Factor in Art, Kunsthalle Wien, Vienna, Austria
I am 5, Parker's Box, Brooklyn, New York
Regarding Clementine, curated by Choire Sicha, Clementine Gallery, NYC
2004
Art, Circuitry and Ecology, exhibition curated by James Andrews accompanying conference celebrating the centennial of Gregory Bateson's birth, the CUNY Graduate Center, NYC
Slice & Dice, curated by Alois Kronschlaeger, Visual Arts Gallery, New York
Freehand, curated by Rachel Gugelberger, Marvelli Project Space, Brooklyn, New York
Uncovered: Recent Acquisitions from the Artists' Books Collection, Chicago Museum of Contemporary Art, 2004
2003
La Superette, Deitch Projects and Participant Inc., New York
Fresh Blood, curated by Stephen Apicella-Hitchcock, CEPA Gallery, Buffalo, New York
B-List: Brooklyn, Angst and Desire, curated by David Kramer and John Massier, Hallwalls, Buffalo, New York
Envisioning Information, curated by Fifth Business, Oni Gallery, Boston, Massachusetts
2002
Freak Show, curated by Jennifer Musawwir, Musawwir Art Space, Midland Park, New Jersey
Art New York, Kunsträume auf Zeit, Linz, Austria
Face Value, curated by Lauren Ross, White Columns, NYC
Unpacked, curated by Alisoun Meehan, New York City
2000
Snapshot, Contemporary Museum, Baltimore, Maryland
Burglar, curated by Elizabeth Balogh, Spencer Brownstone Gallery, NYC
1999
Ninety-Nine, Miller-Durazo, Los Angeles, CA
1998
Local Color, Henry Street Settlement, NYC
Pets, Bronwyn Keenan Gallery, NYC
Sissy Bar, curated by Elizabeth Balogh, Spencer Brownstone Gallery, NYC
Paper, Everything is Everything, Brooklyn, New York
1997
Los Angeles National Juried Art Exhibition, sponsored by Coagula Art Journal, Spanish Kitchen, LA
Rising Tides, Rush Arts, NYC
Awards, Residencies, Fellowships:
Smack Mellon Studio Residency Program, Brooklyn, New York, 2005-2006
Pollock-Krasner Foundation Grant, 2002
MacDowell Colony, Peterborough, New Hampshire, 2001
Millay Colony for the Arts, Austerlitz, New York, 2001
Yaddo, Saratoga Springs, New York, 1999
Vermont Studio Center, Johnson, Vermont, 1998
Selected Bibliography:
"Biting the Hand that Feeds Them," by Carolina Miranda, ARTnews, December 2011
"The Art Pop Primer," by Nic Rad, Artlog, December 7, 2011
"JENNIFER DALTON Cool Guys Like You," by Abbe Schriber, The Brooklyn Rail, October 2011
"Boys Club? Artist Observes Daily Show/Colbert Report Guest Lists A Sausage-fest," by James Crugnale, Mediaite, Sept. 13, 2011
"Dear Jon: In Her New Show, Inquisitive Artist Jennifer Dalton Asks Talk Show Hosts WTF?," interview with Kyle Chayka, ARTINFO, September 9, 2011
"Where the ladies at?," by Carolina Miranda, C-Monster, September 9, 2011 (republished as "What An Important Person Looks Like: Male" on Jezebel, September 12, 2011)
"Does The Daily Show Still Have a Woman Problem?" by Mary Elizabeth Williams, Salon, September 9, 2011
"Friday Studio Visit," by Man Bartlett, Man Bartlett's Tumblr, September 9, 2011
"Social Revolution: The Art World on Facebook," by Barbara Pollack, ARTNews, June 2011
"I Like the Art World and the Art World Likes Me at EFA Project Space, New York," by Priya Bhatnagar, Frieze, May 2011
"I Like the Art World and the Art World Likes Me at EFA Project Space, New York," by Chris Bors, Art Papers, May-June 2011
"School's In: Contemporary Art and the Educational Turn," by Jen Kennedy, C Magazine, Spring 2011
"In a Former Bank, Money Still Talks," by Susan Hodara, New York Times, April 24, 2011
"Sitting in a Tree: Me & the Artworld at EFA," by Laila Pedro, Idiom Magazine,February 9, 2011
"The Year in Art: Top 10 Art shows of 2010," by Jerry Saltz, New York Magazine, December 5, 2010
"Women in Art," interview with Jarrett Moran, Artlog, November 16, 2010
"Jennifer Dalton talks Social Media Consumption," audio interview with Hrag Vartanian, Hyperallergic, November 12, 2010
"The Lives of Artists: Jennifer Dalton," interview by Debbie Ainscoe, Down by the Waterfront, September 2010
"Art Demographics," by Yaelle Amir, ArtSlant, August 22, 2010
"Art in Review: Jennifer Dalton "Making Sense"," by Ken Johnson, New York Times, August 13, 2010
"Artblog Radio: Powhida and Dalton," audio interview by Libby Rosof and Roberta Fallon, Artblog, August 2, 2010
"Art, #class: Interview with William Powhida and Jennifer Dalton," by Stephen Squibb, Idiom Magazine, July 13, 2010
"Jennifer Dalton is "Making Sense" of Jerry Saltz's Facebook Page," interview by Hrag Vartanian, Hyperallergic, July 8, 2010
"Chatting with #Class Co-Curator Jennifer Dalton," interview by Hrag Vartanian, Art 21, April 1, 2010
"Art in Review: #Class," by Holland Cotter, New York Times, March 19, 2010
"More for Art Weekend," by Benjamin Walker, with audio interview, WNYC Culture, March 5, 2010
"The Pedagogical Impulse," by Jonathan T.D. Neil, ArtReview, March 2010
"Cutting Class," by John Haber, New.York.Art.Critf, March 2010
"#Class at Winkleman," Artforum.com, February 28, 2010
"The Art of the Crowd," by Erin Lindholm, ArtinAmerica.com
"Art Show as Think Tank," Artnet.com, February 18, 2010
"Class Exhibit Challenges New Museum Show," by Candace Jackson, WSJ.com
"Is It Just Me?," Metroland, September 17, 2009
"Re-Accession: For Sale by Owner," by Barbara A. MacAdam, ARTNews, November 2009
"Boom vs. Bust: Pick a Side," by Sarah Douglas, Art + Auction, September 2009
"Portrait of the Artist as a Young Mall," by Jerry Saltz, New York, May 4, 2009
"Jennifer Dalton, Reappraisal, at Winkleman Gallery," by Jane Harris, Time Out New York, April 30 - May 6, 2009
"Jennifer Dalton at Winkleman Gallery," The New Yorker, April 27, 2009
"Art Boom R.I.P.," by Stephanie Cash, Art in America, February 2009
"Recession Friendly," Art + Auction, February 2009
"Artists Jennifer Dalton and William Powhida Send their Condolences," by Emma Pearse, New York Magazine, December 15, 2008
"Show Me the Money," by Sarah Douglas, Art + Auction, November 2007
"Ceci n'est Pas... (This is Not)," by Holland Cotter, The New York Times, August 3, 2007
"Saying the F-Word," by Jori Finkel, ArtNews, February 2007
"Weak Foundations," New Yorker, January 15, 2007
"Weak Foundations," by Martha Schwendener, New York Times, January 12, 2007
"Moving Arts: Power, Professionalism and Perversity: Looking Back at the 2006 Art Scene," by Jerry Saltz, The Village Voice, January 2, 2007
"Full Totes: Jennifer Dalton," ART Germany, December 2006
"All Art is Contemporary Art," by Jerry Saltz, Modern Painters, November 2006
"Jennifer Dalton at Winkleman/Plus Ultra Gallery," The New Yorker, October 2, 2006
"Honey, I Shrunk the Collectors," by Rachel Somerstein, ArtNews, Summer 2006
"Four Spaniards among 200 Chosen," by Barbara Celis D'Amico, El Pais, July 9, 2006
"Satellite Shows," by Leigh Anne Miller, Art in America, May 2006
"Jennifer Dalton, Artist," by Stefano Pasquini, Sport & Street, Spring/Summer 2006
"Here and Now: Jennifer Dalton at Curator's Office," by Blake Gopnik, The Washington Post, December 5, 2004
"Contemporary Art According to Jen," featured in
This is a Magazine, issue 11,
www.thisisamagazine.com
"Survey Course," by Sean Kennedy, New York, October 27, 2003
"Jennifer Dalton," by Frances Richard, Artforum, May 2002
"Jennifer Dalton - A Task No One Assigned," by Susan Hamburger, Waterfront Week, May 12, 2002
"The Softer Side of Technology," by Tanya Bezreh, Art New England, April-May 2001
"The Appraisal," by Robert Thill, Flash Art, May-June 2000
"Ebay Art," by Laurie McGough, Massage, Vol. 6, at www.nomadnet.org/massage6
"Art on the Verge," by Gina Basha, CITY NY, February/March 2000, p. 26
"Art Guide," New York Times, February 11, 2000
"Voice Choices," The Village Voice, Vol. XLIV, No. 21, June 1, 1999
"Voice Choices," The Village Voice Vol. XLIII, No. 32, August 11, 1998
"No Big Deal," by Peter Schjeldahl, The Village Voice Vol. XLIII, No. 31, August 4, 1998
"Ladies' Choice," by Chris Macleod, The Resident Vol. 10, No. 41, July 21-27
"Where the Girls Are," by Susan Hamburger, Waterfront Week Vol. 8.13, July 16-29, 1998, p.7
"ArtPoints of Interest," Waterfront Week Vol. 8.7, April 19-22, 1998
"Jennifer Dalton," by Stephanie Bartron, Fizz Magazine #10, Winter 1997/98